Ana Molina

She searches for a better approach to knowledge of pottery and expects beauty to be the result of the fusion of the nature of her materials (clay, pigments, and varnish) joined together by fire.

She dreams of beauty and looks to give each piece nobility, austerity, vigour, simplicity, delicacy, and quality.

The method determines the character of the piece, whether it is modeled or made in clay rolls or sheets. Each process conditions and interprets the execution of the original idea, producing a feeling of satisfaction in the spirit.

POTTERY AS HUMAN EXPRESSION

 

Anyone who is interested may contact the author by e-mail.

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